Elsa Laubach Jemne was a Minnesota artist active from the 1910s to the 1960s. Though skilled as an easel painter, she is better known for the murals she created for public buildings, including post offices and courthouses.

In December of 1928, the Knute Nelson Memorial was unveiled on the grounds of the Minnesota State Capitol. The memorial celebrates the impact of Norwegian immigration in Minnesota by portraying Nelson as a Norwegian American hero.

The lace-making school that operated at Birch Coulee at the turn of the twentieth century is an important part of the history of the Lower Sioux Indian Community. Although the school was an extension of the assimilation efforts directed towards Dakota people in the late 1800s, the Birch Coulee lace-makers used the project to support their community, and to continue a long tradition of communal artmaking among Dakota women.

For more than seventy years, the Minnesota-based writer and activist Meridel Le Sueur was a voice for oppressed peoples worldwide. Beginning in the 1920s, she championed the struggles of workers against the capitalist economy, the efforts of women to find their voices and their power, the rights of American Indians to their lands and their cultures, and environmentalist causes.

Sauk Centre’s Sinclair Lewis, short story writer, novelist, and playwright, was the first American to win the Nobel Prize in Literature.

Mankato-born Florence Macbeth won international acclaim as an operatic soprano during the 1910s and 1920s. Known as "the Minnesota nightingale," Macbeth made hundreds of concert and recital appearances during her career. She toured the U.S. with the Chicago Opera Company for fourteen years before retiring from singing in the 1930s.

In the winter of 1959–1960 a bitter packing-house workers’ strike against Wilson & Company in Albert Lea descended into such disorder that Governor Orville Freeman declared martial law. A federal district court later ruled his order unlawful.

When the Minneapolis Institute of Art (Mia) opened in 1915 it exhibited 450 pieces of art, most of them on loan. In the twenty-first century it is an encyclopedic art museum, boasting a collection of more than 89,000 objects that spans 20,000 years and six continents; special exhibitions on topics that have ranged from Star Wars to Martin Luther; and a presence in the community that reflects more than a century of local support for the arts.

Minnesota’s governors did not have an official residence until 1965, when the daughters of lumber magnate Horace Irvine donated their family home to the state. Over the years, the house on Summit Avenue has provided Minnesota’s First Families with a comfortable home and has served as a ceremonial building for visiting dignitaries and the public alike, though not without controversy.

Since its founding in 1963 as the Center Opera Company of the Walker Art Center, Minnesota Opera has maintained a reputation as a highly regarded opera company. In the twenty-first century it produces standard classics while also commissioning and creating compelling new works.

The original Great Seal of Minnesota was created by men who tied their fortunes to the progress (as they defined it) and settlement of the state, often at the expense of Native Americans. Starting in the late 1960s, critics of the seal argued that its imagery reflected an anti-Native American bias. In 2023, a State Emblems Redesign Commission chose a new design for the seal intended to better represent twenty-first-century Minnesota.

Mixed Blood Theatre, Minnesota’s first multi-racial theater company, was founded in 1976 to produce shows that pay positive attention to difference, break down racial barriers, and make theater accessible to anyone and everyone. Originally meant to be a summer project that would last for only one season, the company has presented over forty seasons as of spring 2019.