Front entrance to the Minnesota Music Hall of Fame

Front entrance to the Minnesota Music Hall of Fame

Front entrance to the Minnesota Music Hall of Fame, New Ulm. Photo by Robin Gehl, 2020.

Front entrance to the Minnesota Music Hall of Fame

Front entrance to the Minnesota Music Hall of Fame

Front entrance to the Minnesota Music Hall of Fame in New Ulm, at 27 North Broadway Street. Photo by Robin Gehl, 2020.

Minnesota Music Hall of Fame

The Minnesota Music Hall of Fame in New Ulm offers a wide-ranging display of artifacts, mementos, and photos acquired since it recognized its first class of inductees in 1989. It pays tribute to music performers and artists who shaped Minnesota’s music scene in the mid-twentieth century, with a focus on the polka groups and dance orchestras that were popular around New Ulm at that time.

Celebrating Oromo National Day, early 1980s

Oromo immigrants and refugees to Minnesota perform a traditional song and dance while celebrating Oromo National Day in the Twin Cities in the early 1980s. Used with the permission of Teferi Fufa.

Voyageur statue in Cloquet

Voyageur statue in Cloquet

Voyageur statue in Cloquet, Minnesota, along the St. Louis River (part of the Northwest Trail).

Top hat made of beaver fur

Top hat made of beaver fur

Beaver-fur top hat made in Paris ca. 1815. Accession M.2007.211.827 of the Los Angeles County Museum of Art. Public domain.

Trade earrings

Trade earrings

Pair of metal hoop earrings (ear bobs) used as trade goods between 1750 and 1837.

Bone trade beads

Bone trade beads

Hair-pipe bone beads used in the fur trade no earlier than 1700 and no later than 1837.

Dakota beaded moccasins

Dakota beaded moccasins

Leather moccasins beaded with a geometric design. Originally owned by John Other Day (Wahpeton Dakota) and given to Stephen Return Riggs, a missionary and government interpreter among the Dakota in southwestern Minnesota, ca. 1860.

Dakota beaded knife sheath

Dakota beaded knife sheath

A Dakota, possibly Yankton, beaded knife sheath dating to the last quarter of the nineteenth century. Two beaded tassels are attached to the sheath's bottom; one tassel ends in metal cones. A string ending in metal cones connects the sheath's sides on either side of its opening. The reverse side of the sheath is undecorated save for a few rows of blue beads near the opening.

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