The National Woman’s Party (NWP) was a suffrage organization that emphasized civil disobedience and direct action in its fight for the right to vote. St. Paul nurse Sarah Colvin established its Minnesota chapter in 1916. Though its forceful approach frustrated some, the NWP lent a transformative sense of urgency and focus to Minnesota’s suffrage movement.

Nina Clifford, a child of immigrants who evolved into the “richest woman of the underworld,” made a name for herself as an affluent sex worker who contributed to the buildup of St. Paul’s downtown Red Light District in the late 1800s. She invited other women to establish their businesses nearby while police sanctioned an environment in which vice could thrive. In spite of a lack of preserved records, standing buildings, and extant photographs related to her business, Nina Clifford remains a legendary madam of St. Paul.

Gordon Parks was a world-renowned photographer, musician, film director, composer, author, and social justice activist. Best known for his documentary photojournalism that explored the impact of poverty and racial discrimination on communities of color, Parks took photographs that appeared in many news and fashion publications, including Vogue and Life. He was the first African American to write, produce, and direct major motion pictures.

In 1976, the doors opened to a new art gallery—the first in Minnesota dedicated exclusively to women artists. During its fifteen years of operation, WARM: A Women’s Collective Art Space (often referred to as the WARM Gallery) was at the center of women’s visual arts programming in the Twin Cities. Informed by second-wave feminism and in step with the national Women’s Art Movement, the WARM Gallery built a new arts community focused on promoting equality. It gave women artists the professional experiences necessary to compete in the art world and provided public access to women’s art, history, and theory.

Over the course of their history, Minnesota’s state hospitals were home to tens of thousands of people with disabilities or diagnoses of psychiatric conditions. Around 13,000 of those who died at these institutions were buried in hospital cemeteries, in graves marked only with numbers. Remembering With Dignity is a group formed from members of Advocating Change Together and other self-advocacy organizations in 1994 with the goal of installing new gravestones in these cemeteries marked with names and dates in order to restore personhood to those denied it in the past.

Wild rice is a food of great historical, spiritual, and cultural importance for Ojibwe people. After colonization disrupted their traditional food system, however, they could no longer depend on stores of wild rice for food all year round. In the late 1950s and early 1960s, this traditional staple was appropriated by white entrepreneurs and marketed as a gourmet commodity. Native and non-Native people alike began to harvest rice to sell it for cash, threatening the health of the natural stands of the crop. This lucrative market paved the way for domestication of the plant, and farmers began cultivating it in paddies in the late 1960s. In the twenty-first century, many Ojibwe and other Native people are fighting to sustain the hand-harvested wild rice tradition and to protect wild rice beds.

In 1970, the American Indian Movement (AIM) declared its intention to open a school for Native youth living in Minneapolis. AIM had identified the urgent need for Indigenous children to be educated within their own communities. Two years later, Heart of the Earth Survival School opened its doors, providing hope to Native families whose children had endured the racial abuse prevalent in the Minneapolis public schools.

When the Minneapolis Institute of Art (Mia) opened in 1915 it exhibited 450 pieces of art, most of them on loan. In the twenty-first century it is an encyclopedic art museum, boasting a collection of more than 89,000 objects that spans 20,000 years and six continents; special exhibitions on topics that have ranged from Star Wars to Martin Luther; and a presence in the community that reflects more than a century of local support for the arts.

One of the first four women elected to the Minnesota legislature in 1922, Sue Metzger Dickey Hough campaigned for gun control, strict capital punishment, and mandatory automobile insurance, among other issues. After four unsuccessful bids for re-election, Hough turned her attention to club work and other causes, including animal welfare and civic engagement.

George Finstad repaired and maintained boats for fishermen, residents, and vacationers for more than fifty years at his auto-marine shop on the south shore of Rainy Lake. In 2020, it stands as a reminder of the transportation history and tourist economy of Ranier, Minnesota, as they developed during the early twentieth century.