Yellow Kidney, Keeper of the Beaver Bundle, oil-on-canvas painting by Elsa Jemne, 1926.

Unknown title, reverse (Italian scene), oil-on-canvas painting by Elsa Jemne, undated.

Unknown title, obverse (Girl in a Tabard), oil-on-canvas painting by Elsa Jemne, 1920.

Cuff created between 2012 and 2013 by Dakota/Navajo artist Dallas Goldtooth.

A cradleboard made by Hope Two Hearts and Galen Drapeau (Isanti and Ihanktonwan Dakota, respectively), c.1980. The cradleboard, which won best traditional art at the Sante Fe Indian Market Show, was originally made for Hanhepi Maniwin. An image of her in this cradleboard was featured in promotional materials for Hope and Galen's business, the Elk's Camp Society.

A doll probably made by Rebecca Bluecloud, an artist from the Upper Sioux Indian Community in Granite Falls, in the 1920s or 1930s.

A beaded pincushion from the Dakota community at Prairie Island in Goodhue County, c.1930s. The left-facing swastika included on the cushion is a traditional Native American (as well as Southeast Asian) symbol of peace and good fortune. Its use in Native art pre-dates and is unrelated to Nazism.

Fringed and beaded Dakota bag with drawstring closure created in the 1930s for sale to tourists. The five left-facing swastikas rendered in beads are traditional American Indian (as well as Southeast Asian) symbols of peace and good fortune. Their use in this context pre-dates, and is unconnected to, Nazism.

Dakota doll made for "Bloom Bro. Co. Quality Line Souvenirs, Minneapolis" by the Bluecloud family from the Upper Sioux Indian Community in Granite Falls in the early 1900s.